Documents Similar To Hertel Trumpet Concerto. Jolivet Concertino – Trumpet in C. Uploaded by. Besard Sula. Plog – Postcards. Uploaded by. TeresaOliveira. Johann Wilhelm Hertel (9 October – 14 June ) was a German composer, Sei Sonate per Cembalo, Op. 1, Nürnberg, ; Concerto for trumpet and oboe (double concerto) in E flat major; Bassoon Concerto in A minor; Oboe. His Concerto in E flat for trumpet, strings and continuo was the first of several composed at Schwerin for the Court Trumpeter Johann Georg Hoese (– ).

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The first movement is a good example of the style brought on by the transition of music from the Baroque to the Classical era; the strings set out the melodies and the trumpet follows with its own distinctive flair. In other works, Bach tended to ask for the chromatic slide of the so called tromba da tirarsi in order to achieve this kind of affection for hertle, chorus no. After further music studies in Zerbst and Berlin, Hertel moved to the Duchy of Mecklenburg-Schwerin, where he made a successful career, initially as principal and later becoming court composer, and likewise undertaking teaching.

Classical Net Review – Hertel – Trumpet Concertos

In he was appointed violinist and harpsichordist at the court of Strelitz, where his father had been working since VAT in the EU. The Trumpet Concerto No. Johann Wilhelm Hertel 9 October — 14 June was rtumpet German composerharpsichord and violin player.

In the 3 concertos on this disc, the soloist is given free reign for cantabile playing with the virtuosic element being slightly sidelined. Tarr Johann Wilhelm Hertel was born on October 9, in Eisenach and died on June 14, in Schwerin – as the gentle reader will have recognized, he died a month to the day before the outbreak of the French Revolution.

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Hertels sinnliche Begleitharmonien sind ergreifend. He died in Schwerin. Biber Sonata X a 5 and duets nos. Hertel wrote a great number of symphonies, solo concertos, harpsichord sonatas, songs, hymns, cantatas and oratorios. JW, in contrast to his father, ventured beyond the baroque mentality and embraced the latest developments.

Johann Wilhelm Hertel

Hertel’s individual movements are usually in three parts a first section at the tonic, preceded by a long multi-partite orchestral introduction; a second one at the dominant, preceded by a somewhat shorter orchestral introduction, also at the dominant; and a third section at the tonic, the orchestral introduction of which is still more compact.

His father Johann Christian Hertel was a wellknown player of the viola da gamba hertle the violin as well as a composer, and was active in Eisenach and Strelitz Mecklenburg. The last, cadenza-like trumpet flourish brings in an orchestral conclusion taken from the opening material.

Hertel himself had contact with many of the leading German composers of the day, including Graun and C P E Bach, and was hertle regarded. With the present edition of the third and last one in D major the publication of Hertel’s works for solo trumpet is now completed.

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He also learned the violin, which he studied with Franz Benda. You can help Wikipedia by expanding it. Edward Tarr Brass Editor: All in all, a fine disc which is almost self recommending.

Edward Tarr brought out Hertel’s Double Concerto in E flat for trumpet and oboe and made the first recording of it in ; shortly afterwards he published the Trumpet Concertos No. Franceschini Sonata a 7 con due Tromb e, in Bologna who wrote long passages or even entire works in the minor mode.

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In he came with his father to Mecklenburg-Strelitz where he was active playing both instruments. Views Read Edit View history. September Total duration: Today, Hertel’s music seems to be undergoing a modest rediscovery. Like his contemporary Molter, who also wrote three trumpet concertos, Hertel allows the trumpet to participate in the minor rmode by having it begin on a long sustained f ” the fifth degree of the scale.

This article about a German composer is a stub.

Conccerto is considered an important representative of the ’emotional style’ of the German pre-classic. Johann Christian and Johann Wilhelm were a father and son combination, who although directly related, were somewhat different in style and content as the works on this disc amply demonstrate.

The 2 sinfonias in D recorded here are 2 such creations, both full of celebratory opulence and technical brilliance which should certainly captivate and delight. During the reign of Duke Christian Ludwig IIHertel wrote primarily representative instrumental music, while during the reign of his successor, Frederick II called ‘the pious’ he focused on sacred music.

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