Music since Grisey: Quatre chants pour franchir le seuil. Forty years of modern composition and what this music means to me. Index here. The premiere of French composer Gérard Grisey’s Quatre Chants pour Franchir le Seuil – Four Songs for Crossing the Threshold – was. Documents Similar To Grisey – Quatre chants pour franchir le Rihm – Jagden and Formen. Uploaded by. alex_ Matthias Pintscher – Sonic Eclipse I .

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But it’s part of the paradox of Grisey’s music that just as he can slow down time so that you feel you’re inside, say, a stretched-out gong stroke for 20 minutes, he can also speed it up with surreal velocity.

Rather, he thought that in the end, whatever ideas helped get you there, what matters, what music ultimately is about, is the transformation of sound and its effect on a listener.

GÉRARD GRISEY: Quatre chants pour franchir le seuil

Notify me of new comments via email. This is how the work opens too, and the sound becomes the slow whoosh of unpitched air through wind and brass. Boring Like A Drill. His approach and his music remain the single most visionary and important body of work from the late 20th century. Order by newest oldest recommendations.

There is a physicality and an architectural power in his music that remains completely overwhelming. By continuing to use this website, you agree to their use.

A Gérard Grisey Playlist

The principles of spectralism are easy to describe, and like all good musical cliches, there’s more than a grain of truth in the term. There are apocalyptic visions listen to the start of the fourth songThe Death of Humanity, to hear the world implode in a black hole of percussion writingreflective grisry and spectral stasis in these songs.


So much for a decidedly spectral sketch of the theory, but let’s get stuck into what Grisey wanted us to get stuck into, which quuatre the stuff of sound, the sounds his music makes. The beginning of the fourth song sounds as though it might be this large movement: That E, by the way, is exactly the note that Grisey took as the starting point for his ensemble work Partielsthe third piece of his epic, six-part cycle Les Espaces Acoustiques. Thank you very much for your reply. Were the sounds coming from the concert hall?

As for everything else, it stood up well against the enhancing effects of memory, and just confirmed for me that this really is one of the most important concert works of the last decade. This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. Notify me of new posts via email. These have to be changed on an almost constant basis. Thanks for your support!

Quatre chants pour franchir le seuil, Gérard Grisey

Or were they incidental noise from the sound system? By atomising sounds in this way, he could structure large pieces of music and spans of time, such as Partielsthat were based on an intense process of listening to an individual sound, exploding the smallest of sonic phenomena, a single note, on to the largest possible scale. Email required Address never made public.


Fill in your details below or click an icon to log in: It puts you on edge before it starts and after it finishes.

In this piece, Grisey changes the tuning of just four notes on the piano, but they are enough to morph the sound world completely, infusing faded equal temperament harmonies with vivid color. Blogging the music that others won’t tell you about.

A guide to Gérard Grisey’s music

This is gtisey number. We had weekly courses devoted to contemporary repertoire, chantw they often left me cold. That music is a bridge to the Epilogue of the whole cycle, with its whooping chords for four solo horns, the sounds of a universe of sound rejoicing in itself. Skip to content The Rambler Modern composition.

I believe that right up until the end of his life this conviction had not changed. Post was not sent – check your email addresses!

The harmonic implications of the overtone series also allowed Grisey to create a hierarchy within his micro-tonally enriched musical world, which gives his music a monumental grisy. Subscribe to keep reading You’ve read both of your free articles for this month. To find out more, including how to control cookies, see here: If you analyse the complexity of the harmonic series of a single note played on a particular instrument — say a low E on a trombone — you find a teeming world of musical possibility.