Stream Luca Francesconi: Etymo, Da capo, A fuoco & Animus by Susanna Mälkki and tens of millions of other songs on all your devices with Amazon Music. Check out Luca Francesconi: Etymo, Da capo, A fuoco & Animus by Susanna Mälkki on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. music by LUCA FRANCESCONI. bh-etymo Barbara Hannigan soprano. Pablo Márquez guitar. Benny Sluchin trombone. IRCAM Ensemble.

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Ensemble InterContemporain Number of Discs: When listening to this rather breath-taking – in both meanings of the words – piece one finds it hard to believe that there is just one trombone player at work.

The release under review provides a good idea of his output although all the works recorded here are already some ten or twenty years old.

It is a brilliantly scored, colourful piece full of nice instrumental touches and lively rhythms, although it opens and ends in a rather subdued manner.

A fuoco again unfolds in a series of contrasted episodes by turns dreamy, meditative and aggressive, the whole expressed in vivid instrumental colours and rhythms. Etymo is the most substantial both in length and in content.

Francesconi: Etymo, Da Capo, A Fuoco, Animu

Animus is an electronics-based piece too, with a solo trombone etymmo in a sound web of its reflections, while A Fuoco pits a solo guitar against an ensemble in a study of musical memory. The piece opens with an electronic drone of indeterminate sounds giving way to a brief outburst from the ensemble.


L uca Francesconi, born inhas emerged as one of the leading Italian composers of the generation after Berio and Nono.

The climaxes are truly shattering, even when heard on simple stereo equipment. With the exception of Da Capo, for nine instruments, fromthe pieces here date from the mids.

Etymo – Barbara Hannigan

The sounds are haunting, seductive, intensely vivid; it’s a shame that the accompanying notes don’t match the clarity of the music. I am still not quite sure whether I like it. His music is certainly complex and quite demanding but it remains first and foremost strongly expressive and often quite beautiful.

The frabcesconi has an anecdote concerning this work for guitar and ensemble. This piece is not unlike Etymo in that ethmo, too, develops from raw breathing noises that will later metamorphose into sounds.

It is not difficult to understand why. Luca Francesconi is one of the most prominent Italian composer of his generation with a substantial and varied output to his credit.

CD: Francesconi: Etymo; Da Capo; A Fuoco; Animus | Music | The Guardian

Inwhile studying with Berio rrancesconi Tanglewood, Francesconi showed him a piece for guitar grancesconi ensemble that he was just writing. At times, too, song turns into plain speech, but song prevails. He is aided by brilliantly handled electronics. The title, Etymo as in etymology is about the search for the origin and development of language. The piece certainly sounds terrific when heard as SACD.

I doubt that these performances will ever be bettered. Be the first to review this title. I was a bit unsure about the last work Animus for trombone and electronics; but I must now admit that I find this a fairly fascinating, if a tad too long work.


This is strong stuff for sure but ultimately quite rewarding. Featured Popular Ensembles Academy of St. The other works were all composed at about the Read more same time: At times these are enhanced by electronics.

From then on, the song will unfold in a big arch, This comprises a succession of contrasted episodes mostly characterised by an often dangerously exposed soprano part and vivid instrumental colours. Notes and Editorial Reviews I doubt that these performances will ever be bettered. A pupil of Berio and Stockhausen, Francesconi is less well known in the UK than, for instance, Salvatore Sciarrino, who is nine years older, but as this collection of ensemble pieces shows, he has a genuinely distinctive musical personality, and the knack of creating sonorities of real immediacy and dramatic power.

Review This Title Share on Facebook. The biggest, most ambitious and most memorable of those is Etymo, which takes a collection of fragments from Baudelaire’s Fleurs du Mal, sets and atomises them for a soprano soloist and enmeshes the voice in teeming, febrile textures spun from an instrumental ensemble with real-time digital processing.

They, too, display a considerable variety of means and moods.