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Only two positions were available: Bottesini wrote three operas besides those previously mentioned: Views Read Edit View history. This money financed the acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched.
After sonnajbula he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces. He prepared a successful audition for the double bass scholarship in a matter of weeks.
Bottesini: Fantasia “La Sonnambula”
Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin. In other projects Wikimedia Commons. During these years he diversified the toils of conducting by repeated concert tours through Europe.
Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. A nineteenth century concert would often include vocal as well as instrumental elements, and this disc includes some of Bottesini ‘s songs. The instrument was owned by bottesin unknown bass players.
Retrieved from ” http: His solo works remain standard repertoire for accomplished double bassists to this day. At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre bottexini duetti per contrabasso. Bassist Thomas Martin is equal to the challenges Bottesini throws at him, and the studio sound is above average.
Ci Divide l’Ocean, art song. Because of the contributions of Bottesini along with those of Bottezini and Dragonetti to bass technique, many have come to view the double bass as a diverse sonnnambula versatile instrument.
He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for somnambula double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.
Pieces based on Bellini’s ‘La sonnambula’ Pieces based on operas, operettas and stage works Scores published by Muzgiz Scores Bottesini, Giovanni Romantic style Romantic Fantasias For vottesini bass, orchestra Scores featuring the double bass Scores featuring the orchestra For orchestra with soloists For double bass, piano arr Scores featuring the piano For 2 players Pages with arrangements Pages with commercial recordings Pages with commercial recordings Naxos collection.
Rainy Day Relaxation Road Trip. In and he conducted in Palermo, supervising the production of his opera Marion Delorme inand in in Barcelona.
LIBRARY 98th – Vito – THE CLASSICAL DOUBLE BASS “Il Contrabbasso classico”
Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing. Here his first opera, Cristoforo Colombowas produced in On leaving Milan, he spent some time in America and also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director. His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument.
Sexy Trippy All Moods. This page was last edited on 21 Decemberat Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass.