Description. Arrangement for clarinet and piano of “Adagio” for clarinet and strings written by H. J. Baermann Feel free to have a look to the. tion, it has always been referred to as ‘Wagner’s Adagio for Clarinet and Strings’. VariW’ is probably the best of the few pieces for basset horn and piano. I Heinrich Baermann: Adagio For Clarinet And Strings (Clarinet/Piano), Arranged for Clarinet and Piano. (BRE) en-GB.

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Adagio For Clarinet & Piano

Numerous composers wrote for Baermann, who undoubtedly had a great influence on the Romantic clarinet repertoire thereby. Clarinet Virtuosi of the Past.

Among other works, he wrote a Septet in E-flat major, Op. Biography portal Classical music portal. Clarinet choir Clarinet concerto Clarinet sonata Clarinet quintet Clarinet-violin-piano trio Clarinet-viola-piano trio. Work Title Clarinet Quintet No.

Naxos Javascript not enabled. Contents 1 Performances 1.

Clarinet Quintet No.3, Op.23 (Baermann, Heinrich)

He played in the court orchestra of Munich from until his retirement inwhen his son Carl Baermann succeeded him.

Creative Commons Attribution Share Alike 3. Baermann was born in Potsdam.

Javascript is clqrinet for this feature. Retrieved from ” http: This page was last edited on 25 Novemberat By using this site, you agree to the Terms of Use and Privacy Policy.

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Heinrich Baermann – Wikipedia

Genre Categories Quintets ; For clarinet, 2 violins, viola, cello ; Scores featuring the clarinet ; Scores featuring the violin ; Scores baeramnn the viola ; Scores featuring the cello ; For 5 players ; For clarinet, 2 horns, 2 violins, viola, cello ; Scores featuring the horn ; For 7 players ; For clarinet, strings arr ; For strings with soloists ; Scores featuring string ensemble.

Parallel to Baermann’s rise, the clarinet was undergoing a series of developments in key construction and embouchure that allowed greater agility and flexibility in paino. German classical clarinetists German classical composers German Romantic composers births deaths People from Munich People from Potsdam 19th-century classical composers German male classical composers 19th-century German composers.

The growing custom was to play with the reed on the bottom lip, as is done today, as opposed to the top lip as had been the previous prevailing style.

Period Romantic Piece Style Romantic Instrumentation Clarinet solo, 2 violins, viola, cello The original quintet also had 2 ad lib horn parts that are normally left out. The Adagio movement from this septet has received several recordings as a stand-alone piece, though it was for many years misattributed to Richard Wagner. He is said to have had a great dynamic range. Retrieved from ” https: Arrangements and Transcriptions II.

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Views Read Edit View history. Clarinet solo, 2 violins, viola, cello The original quintet also had 2 ad lib horn parts that are normally left out. Creative Commons Attribution-ShareAlike 4. As with many other virtuosi at the time, Baermann tried his hand fairly successfully at composing for his instrument.

Quintets ; For clarinet, 2 violins, viola, cello ; Scores featuring the clarinet ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; For 5 players ; For clarinet, 2 horns, 2 violins, viola, cello ; Scores featuring the horn ; For 7 players ; For clarinet, strings arr ; For strings with soloists ; Scores featuring string ensemble.

In his youth, Baermann took lessons from Joseph Beer — at the military school in Potsdam. After his prowess came to the attention of the Berlin court inPrince Louis Ferdinand of Prussia had the year-old musician pursue his training in Berlin under the guidance of Franz Tausch —