The 2nd prelude, in C-Minor, is a dramatic, almost mechanical creation where The piece has tempo indications from Bach, a rarity, in that bar 28 is marked. An analysis of J.S Bach’s Prelude and Fugue No.2 in C minor, BWV , from the Well Tempered Clavier Book 1. A detailed guide that. 2 in C Minor, BWV Fugue by Glenn Gould on Amazon Music. the Album Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV

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This page was last edited on 5 Mayat By using this site, you agree to the Terms of Use and Privacy Policy. Performer Pages Martha Goldstein harpsichord.

From an album featuring a Flemish harpsichord bah Pandora Records. Just like the prelude, the fugue ends with a picardy third.

Prelude and Fugue in C minor, BWV 847

Ogg Vorbis files can be found here. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes.

From Wikipedia, the free encyclopedia. The fugue is 31 bars long, and is written for 3 voices. Work Title Prelude and Fugue No. The prelude continues like so for 33 bars, with different harmony and changes of key.

The fugue then continues with a developmentand then another repetition of the subject in the home key. Bach-Gesellschaft AusgabeBand 14 pp. This article needs additional citations for verification.

Staatsbibliothek zu Berlin D-B: Please help improve this article by adding citations to reliable sources. This figure, which is persistent throughout the Prelude, till five 874 from the end, takes its distinctive character from the Passing note, which almost always forms the third note in each group of four. Performance recording can be found on Youtube under jnfmusic.


The artistic method of the Prelude is akin to that of the first, though much more animated and energetic, owing to the use of the dissonant passing notes in each characteristic figure. April Learn how and when to remove this template message. Below are the first four bars of the prelude:.

Wikipedia article on Das wohltemperierte Klavier Bach Digital source list. Couter-subject absent, the inner parts being independent. This Prelude is constructed on chords of a simple nature, which underline the constant reiteration of the figure seen in jn first two beats of Bar 1. Just like most fugues in the baroque period, the subject is then repeated in the top voice in the dominant key G minor prelkde, and then repeated once more in the lowest voice, again in the home key.

Codetta formed from the first limb of the Subject in the Treble, and from the first few notes of the Counter-subject in contrary motion in the Alto, both moving in an ascending sequence. Creative Commons Zero 1. These file s are part of the Werner Icking Music Collection. Jazz-like arrangement of Bach’s Praeludium II.

Performer Pages Kimiko Ishizaka piano. Ends on the Dominant. Below is the two measure subject of the fugue, which starts in the middle voice:.


Compositions for organkeyboard and lute by Johann Sebastian Bach. Bach P 2. Subject in Alto [C bwch. This new motif is repeated twice, after which a succession of sixteenth notes ends the prelude on a picardy third.

Prelude No 2 in C Minor, BWV | The Well-Tempered Clavier, by J.S. Bach

Tonic Pedal at Bars Tonic Chord May 5, Arranger Joseph Nicholas Fried. Built upon the Dominant and Tonic Pedals. Ends in the Relative Major. Bach Twelve Little Preludes.

Bach – Prelude and Fugue No.2 c minor, BWV ( free piano sheet )

The motif consists of running sixteenth notes in the form of broken chords in both hands. It was restored by Frank Hubbard in Boston Preludes ; Fugues ; For keyboard ; Scores featuring keyboard soloists ; For 1 player ; For clarinet, trombone, percussion, bass guitar, piano arr ; For 5 players ; Scores featuring the clarinet ; Scores featuring the trombone ; Scores featuring percussion soloists ; Scores featuring the bass guitar ; Scores featuring the piano ; For 2 recorders arr ; For 2 players ; Scores featuring the recorder ; For violin, piano arr ; Scores featuring the violin ; For 2 guitars arr ; Scores featuring the guitar ; For guitar arr ; For 2 trumpets, 2 trombones arr bwch For 4 players ; Scores featuring the trumpet.

Counter-subject in Bass [E flat Major]. Moving gently back to C minor, moves to Dominant Pedal, and further clenches the original key.