Art Tatum – Book Score, Biografy of one of the most important Jazz Tenderly. Original sheet music with cover, from the movie “Torch Song”, with Joan Crawford . Watch the video for Tenderly from Art Tatum’s The Complete Pablo Solo Masterpieces for free, and see the artwork, lyrics and similar artists. Tenderly. By Art Tatum. • 1 song, Play on Spotify. 1. Tenderly The Art Tatum Solo Masterpieces, Vol. Listen to Art Tatum in full in the Spotify app.
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Tatum was born in Toledo, Ohio. Once the young Peterson was finally persuaded twnderly it was performed by a single person, Peterson was so intimidated that he did not touch the piano for weeks. Stanley described zrt scene as, “Tatum played so brilliantly and so much. Tatum’s repertoire consisted mainly of music from the Great American Songbook — Tin Pan Alley, Broadway and other popular music of the 20s, 30s and 40s. Johnson and Fats Waller, who exemplified the stride piano style, and from the more “modern” Earl Hines, six years Tatum’s senior.
More by Art Tatum
But he got his ideas from Earl’s style of playing – but Earl never knew that. He was originally interred at Angelus Rosedale Cemetery in Los Angeles, but was moved by his wife, Geraldine Tatum, to the Great Mausoleum of Glendale’s Forest Lawn Cemetery inso she could ultimately be buried next to him, although his headstone was left at Rosedale to commemorate where he was first laid to rest.
You couldn’t pick out what he was doing because his fingers were so smooth and soft, and the way he did it — it was like camouflage. However, the arh were recorded off-air by Tatum enthusiasts at the time, and many are included in Storyville Records extensive series of rare Tatum recordings. The Tatum Hampton Rich Trio.
Tatum was said to be more spontaneous and creative in those free-form nocturnal sessions than in his scheduled performances. Tatum srt Waller as his main influence, but according to pianist Teddy Wilson and saxophonist Eddie Barefield, “Art Tatum’s favorite jazz piano player was Earl Hines.
There was too much going on — both hands were impossible to believe. Total Yearly Monthly Weekly. He seems to celebrate and mock these timeless melodies all at once.
Tatum embellished melodic lines, however, with an array of signature devices and runs that appeared throughout his repertoire. Tatum appeared on Steve Allen’s Tonight Show in the early s, and on other television shows from this era.
Art Tatum – Tenderly – Lyssna i Deezer
Benny Green wrote in his collected work of essays, The Reluctant Art, that “Tatum has been the only jazz musician to date who has made an attempt to conceive a style based upon all styles, to master the mannerisms of all schools and then synthesize those into something personal. His interpretations of popular songs were exuberant, sophisticated and intricate.
Inhe returned to New York where he appeared tsnderly clubs and played on national radio programs. He worked some of the upper extensions of chords into his lines, a practice which was further developed by Bud Powell and Charlie Parker, which in tendelry was an influence on the development of ‘modern jazz’.
He was hailed for the technical proficiency of his performances, which set a new standard for jazz piano virtuosity. Biographer James Lester notes that Tatum enjoyed listening to other pianists and preferred to play last when several pianists played.
He introduced a strong, swinging pulse to jazz piano, highlighted with spectacular cadenzas that swept across the entire keyboard.
Tatum also pioneered the use of dissonance in jazz piano, as can be heard, for example, on his recording of “Aunt Hagar’s Blues”, which uses extensive dissonance to achieve a bluesy effect. Jazz historian and commentator Ira Gitler declared that Tatum’s “left hand was the equal of his right. Invocalist Adelaide Hall commenced a world tour that lasted almost two years. When jazz pianist Stanley Cowell was growing up in Toledo, his father prevailed upon Tatum to play piano at the Cowell home.
He frequently played for hours on end into the dawn, to the detriment of his marriages. Dave Brubeck observed, “I don’t think there’s any more chance of another Tatum turning up than another Mozart.
Interviewing Oscar Peterson inLes Tompkins asked, “Is there one musician you regard as the greatest? He also recorded memorable group sessions for Norman Granz in the mids.
Tenderly – Wikipedia
Evidence of this can be found in the set entitled 20th Century Piano Genius which consists of 40 tunes recorded at private parties at the home of Hollywood music director Ray Heindorf in and It means “the smallest perceptual time unit in music” and is a teenderly to Tatum’s pianistic velocity. Non-pianist musicians influenced by Tatum’s improvisational virtuosity include Jerry Garcia of The Grateful Dead who was quoted in the June edition of Frets Magazine as saying: Tatum’s work was used and referenced heavily in the WB TV series Everwoodwith some actual sound recordings used and compositions being performed in concerts by Ephram Brown portrayed by Gregory Smith in select episodes.
Nevertheless, transcriptions of Tatum are popular and are often practiced assiduously.
He was an innovator in reharmonizing melodies by changing the supporting chord progressions or by altering the root movements of a piece.
Williams, Steven Mayer and Christopher Jordan, and, outside of the usual roster of jazz pianists, Andre Previn — have attempted to seriously emulate or challenge Tatum. He’d play the record but he’d improvise over what Earl was doing He developed an incredibly fast playing style, without losing accuracy. Two years later Tatum won Esquire Magazine’s first jazz popularity poll. He’s a good guy to play for any musician, you know. A number of surgical procedures improved his eye condition to a degree but some of the benefits were reversed when he was assaulted in at age He had two siblings, Karl and Arlene.
His protean style was elaborate, pyrotechnic, dramatic and joyous, combining stride, jazz, swing, boogie-woogie and classical elements, while the musical ideas flowed in rapid-fire fashion. He didn’t have that much motion at the piano. Drummer Jo Jones, who recorded a trio session with Tatum and bassist Red Callender is quoted as quipping, “I didn’t even play on that session Perhaps believing there was a limited audience for solo piano, Tatum formed a trio in with guitarist Tiny Grimes and bassist Slam Stewart, whose perfect pitch enabled him to follow Tatum’s excursions.
If I did, I’d throw up my hands and give up! Generally playing at mezzoforte volume, he employed the entire keyboard from deep bass tones to sonorous mid-register chords to sparkling upper register runs. Using computer equipment tendfrly with a high-resolution player piano, they created re-performances of Tatum’s first four commercial tracks, from March 21,and the nine tracks from the April 2, live concert at Los Angeles’ Shrine Auditorium.
He especially atr other pianists to whom Tatum appeared to be “playing the impossible. In a Voice of America interview, he denied the widespread rumor that he learned to play by copying piano roll recordings made by two pianists.
Mainstream jazz piano has gone in a different direction than that pioneered by Tatum. He’s the guy I put on when I want to feel really small laughs. He used to buy all attum Earl’s records and would improvise on them.