Acoustics and Psychoacoustics, 4th Edition. by Jamie Angus, David Howard. Publisher: Focal Press. Release Date: March ISBN: Acoustics and psychoacoustics covered from a musical standpoint to help those involved in music technology and music understand sound and how we hear it. Acoustics and Psychoacoustics is ideal for students of music technology, sound recording, traditional music and acoustics, as well as engineers studying audio.

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The acoustics of a space can have a real impact on the sounds you create and capture. Chapter 2 Introduction to Hearing. We provide psychoacoustisc free online form to document your learning and a certificate for your records. Notes and harmony 31 Musical notes. Howarx Between Frequency Ratios and Cents. Deriving the Reverberation Time Equation.

Offline Computer — Download Bookshelf software to your desktop so you can view your eBooks with or without Internet access. He is now an independent consultant and researches in the area of acoustics, in particular diffuser design and audio signal processing. There are no discussion topics on this book yet. Solving the ERB equation. Acoustics and Psychoacoustics by David M. Appendix 4 Deriving the reverberation time equation for different frequencies and surfaces.

Acoustic Model for Musical Instruments 4. Georgios Adamides rated it it was amazing Jun 12, Spencer Vale rated it it was amazing Aug 27, Additional references and marginal notes explaining basic terms are provided to aid understanding. The website is packed with audio clips, questions and answers, a calculation facility as well as links and resources.


The acoustics of a recording space can have a real impact on the sounds you create and capture. Acoustics and PsychoacousticsAcousticx Edition provides supportive tools and exercises to help you understand how music sounds and behaves in different spaces, whether during a performance or a recording, when planning a control room or listening space, and how it is perceived by performers, listeners, and recording engineers.

Acoustics and Psychoacoustics, 5th Edition

Already read this title? Contents Chapter 2 Introduction to Hearing. For example, Bass sounds are typically registered on the left side of the head and treble sounds typically registered on the right. His research interests include the analysis and synthesis of music, speech and singing, human hearing modelling and the use of computer displays in voice caoustics. Eddy rated it really liked it Jul 03, Be the first to ask a question about Acoustics and Psychoacoustics.

Mike Testa rated psychoackustics really liked it Jan 17, Chapter 6 Hearing Music in Different Environments.

With Safari, you learn the way you learn best. This contradicts how choral performers are lined up on stage with respect to the audience, but is in line with how they perceive each other. This book will help you: I wouldn’t recommend this book at all for a casual read.


Start Free Trial No credit card required. Ddavid knowledge of psychoacoustics in future music technology system designs as appropriate. Account Options Sign in. The website is packed with audio clips, questions and answers, a calculation facility as well as links and resources. This book is not yet featured on Listopia.

Acoustics and Psychoacoustics – David Martin Howard, James A. S. Angus, Jamie Angus – Google Books

Acoustics and Psychoacoustics gives you an essential grounding and understanding to how real music sounds behave in different spaces whether during a performance or a recording and how they are perceived by performers and listeners.

James Robson rated it liked it Jul 18, Theworkshopcrew pyschoacoustics it really liked it May 21, Lists with This Book. To see what your friends thought of this book, please sign up. Svetoslav Nunev rated it really liked it Jun 06, Home Acoustics and Psychoacoustics.

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